
The broken objective
For my graduation work, I selected a series of drawings, sculptures, and videos. The drawings depict a dream-like, almost-reality, frozen in moments of creation, transformation, and de-creation. They capture shapes and textures in an in-between state of form and formlessness, balancing openness and actualization. In contrast, the sculptures emphasize the tangible and material, asserting their own meanings and uses without being confined by our comprehension. Made from discarded materials found in trash, on the street, or at school, these objects have lost their previous significance. Through a playful process, I allow the materials to guide the forms, resulting in organic and chaotic sculptures that reflect my intimate relationship with them. This relationship also involves various techniques, from traditional woodworking to experimental DIY methods, as I place the sculptures in and beyond the exhibition space.
The videos document actions I took two years ago in Biella, Italy, where I imagined myself as an inhabitant of the riverbanks of the Cervo, using found sticks as tools in my daily routine. This routine involved maintaining my natural habitat through site-specific endeavors that may seem illogical to non-inhabitants. Although these works are older, they remain relevant to my practice, illustrating my working methods and allowing me to extend my art beyond the confines of my studio.